Writer’s Conference

This last week I was at the Catamaran Writer’s Conference.  I find these conferences a challenge.  On one extreme, the being with gifted writers and learning about the art and craft of writing a poem.  Then there is the introverted, insecure side of me that struggles to interact with others and not just hide in a conner – that part of me that constantly wants to say, “you don’t belong here.”

That second voice is hard to stop.  I know – folks have all kinds of answers and advice.  I get it, but in that moment, you listen to a powerful poem and then are called to read your poem about cheese that you wrote at breakfast – well it can be humbling.

I heard a lot of great poetry this week.  Some from teachers, some from participants, and once or twice I read some of my poetry thinking, “not bad.”

Each day had a general pattern:

  • Workshop where there were craft talks, writing prompts and we critiqued each other’s work.
  • Afternoons were for optional lectures, free time, tours, or writing.
  • Evening reception (with wine) and a featured reader.

They also had tours of local places of literary interest.  I did the tour of Robinson Jeffers’ Tor House, www.torhouse.org in Carmel.  The place was smaller than I imaged, but it was nice to see and to hear some of Jeffers poems read where he lived.

I attended a few interesting lectures.  The two I liked the best were writers discussing their paths to being published.  The lesson here was that it’s difficult to get things published these days.  One of the the writers mentioned that she contacted 120 agents before getting her mystery novel published.  Fewer books are published these days so it requires a lot to get published.

I was asked a number of times if I had published anything or if I was submitting my poems.  The answer was no, I’ve not been doing that.  Honestly, I’ve not felt my current body of work is good enough for the literary journals.  Then there’s the amount of effort you have to put into the process.  It’s been much easier to just put it here on my blog and move on.

In our poetry workshop we were asked to bring five poems to the workshop and that’s where I got the most out of this conference.  After working with the group, I’ve come away with better poems and a lot of things to look for in my writing that can be improved.  I was also surprised (and slightly pleased) to have our teacher say, “Andrew, this fits your style.”  Wow, I’ve got a poetry style.  That made me feel good and hope that perhaps I’m starting to figure this poetry thing out.

Well, as much as you can understand an art form that is.  Poetry is art.  Until now I’ve done it mostly by instinct and intuition – that’s not a bad way to go, but having a deeper understanding of how words, images and metaphors work just widen the pallet a poet can use to create art. 

Of the five poems I brought, four are improved, one is still a problem, and yes, I did write a poem about my Father and cheese that’s not bad.

Sadly, I won’t be posting them here.  These days publishing a poem to a public blog is considered publication and most of the journals I’m thinking of sending these to won’t consider them if I’ve posted them here.  That’s one annoying thing I learned at the lectures.

It was a productive week for me and I did bring home bag of books to read and a brain full of ideas to work on.

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Wednesday Workshop at the Conference

I’m not sure when I’ll post again, but just a quick update: I’m at the writer’s conference doing a workshop on poetry.  It’s the process of taking my best poems and making them better (or proving I’m not as good as I thought).

Yesterday we had a craft talk on parataxis and hypotaxis.

Click the link to find out what that is.

Oh, if you do figure it out – let me know what the heck that is all about.

Well, got to go.  There’s a lecture on something.  And there was good news, wine will be served before tonight’s open mic readings.

Peace, love and lemon drops,

Andrew

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Friday Wisdom – Shaky Spear

First an announcement: I’m still alive.

Second, over the weekend Heather and I took a friend to see a local Shakespeare in the Park production of “As You Like It.”  Fun show with energetic young actors.

Act II, Scene VII has the famous, “All the world’s a stage, and all the men and women are merely actors …” line.

Which got me wondering: If all the world’s a stage, where the heck does the audience sit?


Second announcement: I’m off to a writing workshop soon and most of my writing time will be doing the preparations for that.  My next blog post won’t be until I return from that.

Peace, love and lemon drops,

Andrew

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How to Tell a Story

I have a story that floats in and out of my mind.  I can’t see the whole of it.  It comes and goes in fragments, flashes, bits of sound, smells, fears …

It’s a story of escape, return, and unexpected endings.

The story comes in three parts: What happened, what happened before, and what happened after.  How can I tell you what happened if you don’t know what happened before? Then you’ll want to know what happened after.

How can I just tell the story of a future past?

How do you repeat the history of something that hasn’t happened?

My tastes in literature cover a wide range from classic 19th century novels to 20th century science fiction.  I also love to read non-fiction history and biographies especially.  In my youth I had a special place in my tastes for dystopia novels, 1984, Fahrenheit 451, and Brave New World.  I also have a taste for post apocalyptic stories, Earth Abides, Alas Babylon, On the Beach, and Cat’s Cradle, among some of my early reads. 

Currently I am reading one Heather found in the library, A Boy and His Dog at the End of the World by C. A. Fletcher.  I’m a few chapters in and am being drawn in by his narrative style and use of a first person story teller.

Honestly, it’s the kind of story telling I’d like to write.

I’ve also just recently read another book that I found compelling: The Post X by Elizabeth Acevedo. It’s a complete novel written in poetry.  Yup, just poems, but it manages to tell a great coming of age story.  It’s a great achievement in story telling and Acevedo does it well.

Again, another kind of story I wish I could tell.

The novel I am writing is set in a not to distant future and is about a young man trying to escape a repressive society.  Part adventure. Part good vs. evil.  Part dystopia and just a touch of romance. I’ve been writing it for a long time (I’m a slow writer) – about a decade and so far the book has survived two computer crashes.  Currently the files reside on it’s third computer (and are backed up in the cloud).

My problem is that the story comes to me in fragments that don’t make a full continuous narrative.  That’s held it up for a long time (along with life issues and computer crashes).  There is a hand written note on one of my drafts that reads, “Fracture the crystal.”  And that’s where I am with story telling – telling my story in bits and pieces.  If I were to name an influence it would be Always Coming Home by Ursula K Le Guin.  You should read it – I reread it every few years.

So I’ve been writing fragments and trying to stitch them together in an order that tells a story.  But I found I needed a thread to hold all the pieces together.  The result so far is about 100 pages of notes, fragments, and research plus the main story of my hero’s journey away from the world I built for him.  The constant thread is the story of Colin and his travels.  The fragments build his world and the history of that world.

In my research notes I found these “On this Date in History” columns from the Vandenberg Times (circa 2277). Here is an example:

In 2093 Vandenberg AFB Commander, General Stovall declared himself as military governor of the California Central Coast Federal District.  Major Jose Alonso pledged loyalty to Stovall and thus the whole of the Home Guard and police departments in the region joined to enforce Stovall’s marshal authority.  Stovall’s rule ended with the signing of the City constitution in 2101, when he requested retirement and transferred command of VFB to General David West and the newly formed Bureau of Defense.

As I continue to write and seek to write this story, I am constantly asking myself, “Do these fragments tell a story that is worth telling?”

and just for the record, the main novel is up to 6,130 words.  At this rate, it should be completed in 2026.

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