As The Pizza Cooks — Episode 23

One of the great things about this “As The Pizza Cooks” kind of writing is that it saves me from having to figure out titles.  I hate figuring out titles for things.  I remember in grade school they used to have these reading comprehension tests where you’d read a paragraph and then were asked to select the best title for it.  I always got those wrong and never understood why.  It’s also the among the most common criticisms I get with my poems in a poetry workshop.

Seriously, I can take a poem to a workshop, ask for input and I can almost guarantee that I’ll get two comments: This should be a longer poem and you need a better title.

I’m a bit traumatized about this so to avoid having that come up again on my blog, I just started using numbers as titles. Now, I do at least let you know if I’m talking about music or nothing (these pizza posts are about nothing, but you keep pressing the like button on them so here we are). 

I didn’t sit down to talk about poem titles.  Actually I’m a bit worried I might have a bit of a sinus infection, but what’s really on my mind is reading poetry out loud.  You see, in those poetry workshops I attend, we read each other’s poem and then it’s open for comments about the poem.  We do send a written version of the poem before the workshop so we can read it ahead of time and hopefully come up with something useful to say about it.  The general idea is to say something that you liked, something you didn’t, something that you didn’t understand and offer an editing suggestion or two (all of which the writer is allowed to ignore completely).

But … I hate to admit the number of times I’ve read a poem, made detailed notes and thought I had something useful and helpful to say only to have the poet read their poem and my brain go, “Oh, that’s what you mean.”  Then I drop everything I’d written beforehand about the poem and have to make up comments on the spot.

There is just something about hearing a poem vs. reading it that can often change my view of a poem — especially when it’s the writer of the poem who is reading aloud.  I often find myself saying that I prefer to hear poems rather than read them.  Poems are meant to be heard.

Currently I’m not in a regular poetry workshop group.  Sadly there just aren’t that many in my area and I haven’t found a group that meets online, but I have found a number of places online that do regular readings of poetry.  Some of these also do a bit of commentary on the poems while one has a Q&A session.  Mostly these are podcasts which I can listen too while I’m in the workshop, but I did find one doing live readings with the real poets reading their own works.

Here’s a couple I like:

https://www.inflectionism.com/ The Infectionist Review is an online poetry journal that’s publish a couple of my favorite poets.  They do a monthly poetry reading with a Q&A session.

Two Podcasts:

https://www.slowdownshow.org/ The Slow Down does a daily reading of a poem with commentary.  They also have a daily mailing list with the poem of the day.  I prefer the podcast.

https://onbeing.org/series/poetry-unbound/ Poetry Unbound is a weekly show by Padraig O Tuama, a great contemporary poet.  There’s a lot to Padraig, and this is just his comments on poems he reads.

I used to listen to a woodworking podcast and a maker podcast but both ended their shows so now I’m picking up poetry and one theological one: https://thebiblefornormalpeople.com/podcast/ The Bible for Normal People.  I don’t write much about my theology on this blog, but I do have beliefs, interests and opinions.  Peter Enns, who started this podcast is a contemporary theologian and professor of Bible studies at St. Davids University.  I like the fresh and uncomplicated interpretations he gives and the depth which his podcast goes.  The podcasts are also long enough for me to get a fair amount of work done in my shop.

Well, that’s all I have time for as the timer just went off.

And maybe this will be a new feature, but here’s this week’s pizza:

The curst is Diane Henders recipe that she posted for me in a comment a few weeks ago. Worked great — well I guess it could be rounder or squarer or something. The toppings are spinach, pepperoni, olives, mushrooms and red onion. Yum.

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Friday Wisdom — Woodworking

I’ve been in the workshop a good part of the week on the scroll saw but there aren’t many jokes about scroll sawing so here’s what I know about woodworking in general:

I say a guy standing outside the big box store holding this sign: “Will work for new tools.”

When my wife says she wants me to build something I normally reply, “Sure, but I’ll need to buy … “

It’s not scrap — it’s modern art.

Woodworking: The art of cutting big pieces of wood into small pieces and then gluing them back together to make a big piece of wood.

Good judgement comes lots of experience and experience comes from lots and lots of mistakes.

I’m writing a construction joke, but it’s not done yet.

Never fix anything that can be explained away as a, “design feature.”

I save a lot of sandpaper by just slapping on a coat of paint and callling the project, “rustic”.

but in my defense, I was left unsupervised …

I heard that a bunch of folks were thinking of breaking off from the local woodworking club – I think it’s going to be a splinter group.

I did cut it twice – it’s still too short.

When I’m hugging a tree it’s not because I’m a tree lover. I’m estimating the board feet in the tree.

I’m so disappointed. The lumber yard delivered a single plan of wood at 5 pm today. They were supposed to deliver 2 by 4.

My mom’s sister was a woodwork, yup she was a carpenter aunt.

If you don’t think money grows on trees, clearly you have been a lumberyard lately.

DIY repairs are and addiction because you’re always look for your next fix.

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Thursday Working – It’s Done

Well, I finally finished the nativity set — just in time for Christmas 2024! Well, I finished the main set for this last Christmas, it’s the expansion set I just finished doing. Here they are:

A donkey, shepard and a camel. I cut all of these with my new Seyco scroll saw and I have to say it’s a wonderful saw. It cuts much faster than my old saw and it’s dust collection system is great.

Here’s a picture of the whole set:

The next project is to build a box to put all these in. Yes, I could just get a cardboard box, but I figure why not start a project to make a box that I could have completed by say, 2026?

That’s all the work for this week. If you need me, I’ll be at the computer looking a scroll saw boxes.

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As The Music Plays #10

This is a series of posts about the music I play while writing.  This time we’re up to Tiny Dancer. A song by Elton John, it’s one of his best songs of all times and now considered a classic.  Originally released in 1971 on John’s album Madman Across the Water, it clocked in at just over six minutes long.  The song didn’t get much air play due to the length and the record label declined to release it as a single.  It did manage to reach number 41 on the pop charts, but it didn’t do well during the 70’s.  John would sing it at live performances and as FM radio stations became more popular in the late 70’s the song did start to get more airplay.

The song got a boost in popularity in 2000 when it was featured in the movie Almost Famous.  It was certified gold in 2005, platinum in 2011, and triple platinum in 2018. Rolling Stone magazine ranked it 397 on their list of the 500 greatest songs of all times. A music video for Tiny Dancer was released in 2017, which is where a lot of the younger generation encounter this song.  It’s a great video and just fits the song perfectly.  Here’s a link to that video on YouTube:

The music for Tiny Dancer was written by Elton John with Bernie Taupin writing the lyrics.  This is one the great partnerships in music history.  Taupin wrote most of the lyrics for Elton John songs including Rock Man and Candle in the Wind.  Their working style was for Taupin to write lyrics and send them to John who then set them to music.  They are described as working mostly independently of each other with Taupin rarely at the recording sessions.  Whatever they did, it worked and together they created some great music.

Tiny Dancer is said to be inspired by Taupin’s First wife, Maxine Fibelman after they first moved to Southern California.  Taupin later said that he was also thinking of Southern California women in general as was trying to capture their free spirit.

It’s the lyrics and story behind those that draws me into this song.  The imagery is perfect and paints a clear picture of a free spirited woman who just seems to float from thing to thing effortlessly.  Just take the first two lines:

“Blue jean baby, L.A. lady, seamstress for the band / Pretty eyed, pirate smile, you’ll marry a music man.”

Here we have a picture of a women who dresses casually, has a skill, is mischievous with a pirate smile – the things we can imagine a music man would want.  Remember that this is written from a male perspective — we aren’t really told what the L.A. lady wants or feels. Still we get a reasonable idea of who this woman is.

John’s music is amazing as it build from a simple piano melody into a more complex progression.  He just builds the intensity of feeling as he moves to a few repeats of the chorus.  All of his musical skills are here.  This has to be one of my favorite Elton John songs.  I will say that I’m not a big fan of his, but he does have a few gems.

This song ends up on my playlist because of the lyrics and the story it tells.  It’s not just a song about a feeling, but also about a person, a relationship and a place.  In the music I can see where these people might be and can picture what they are doing.  It’s one of those songs that gets me thinking about story telling and the power of poetry to build a picture in your mind.  It never fails to put me into a contemplative space. 

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